Explore Theatre: A Backstage Pass, 2nd edition

Published by Pearson (February 1, 2019) © 2020

  • Michael M. O'Hara
  • Elizabeth A. Osborne
  • Judith Sebesta

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  • Inspire engagement through active learning
  • Provide an immersive reading experience
  • Assess student progress with performance insights

For courses in Introduction to Theatre.

Encourage enthusiasm for, and critical thinking about, theatre of the past and present

Explore Theatre gets students excited about what's happening onstage around the world today. Authors Michael O'Hara, Elizabeth Osborne and Judith Sebesta present thorough coverage of both theatre history and recent dramatic and musical works. Seamless integration of engaging videos and interactive content throughout the narrative turns students into digital audience members who can better grasp the relationships between text, actor and audience.

The 2nd Edition includes updated content drawn from recent hit productions such as Hamilton and Fun Home.

Features of Revel for the 2nd Edition

  • UPDATED: More than 100 embedded videos provide access to rehearsals, backstage views and performances of Two-Character Play, a play commissioned and performed exclusively for this text.
    • New and updated videos enhance discussions of theatre concepts such as objectives, organization and consciousness.
    • New video interviews with playwright Nick Blaemire, award-winning actor Sutton Foster, and costume designer Kathryn Rohe provide insight into key concepts.
    • A new documentary video follows The Circus in Winter, a new musical that won the National Alliance for Musical Theatre festival in 2012.
    • The 2nd Edition features 2 additional recorded plays: The Pedlar and Lift.
  • Thorough integration of theatre history provides context for understanding contemporary theatre and its role in society.
  • A chapter on musical theatre helps students make connections between today's popular culture and the complexities of a performance.
  • The inclusion of coverage of non-Western performance facilitates a broad perspective of historical and contemporary theatre.
  • UPDATED: New images and examples illustrate new plays and contemporary material, including blockbuster musicals like Hamilton and Fun Home, devised work like Britney Spears's Crossroads and site-specific performances like Punchdrunk's Sleep No More.
1. What Is Performance?
2. The Text
3. Cultivating an Audience
4. Where Can Performance Be Done?
5. Playwrights
6. Directors
7. Scenic Designers and Costume Designers
8. Lighting Designers, Sound Designers, and Technical Production
9. Actors
10. The Play
11. Backstage at Two-Character Play
12. Musical Theatre
13. The Film, or Mediated Performance
14. Popular Entertainments
Appendix A: Questions for Analyzing Plays and Scripts
Appendix B: Performance Videos
Appendix C: Two-Character Play Stills and Scripts
Appendix D: Finale Screenplay

About our authors

Michael M. O'Hara is a theatre historian, theorist and director; the Sursa Distinguished Professor of Fine Arts; and the Associate Dean of the College of Fine Arts at Ball State University. He is a leader in theatre pedagogy and technology, having published and/or presented more than 55 essays or lectures on the topic. He has produced or co-produced several documentaries on the arts or the arts in a digital world. Dr. O'Hara is also the President of the International Shaw Society, an associate editor for SHAW: The Journal of Bernard Shaw Studies, and the past Chair of the Theatre Division of the National Communication Association.

Elizabeth A. Osborne is a dramaturg, theatre historian and Associate Professor in Theatre Studies at Florida State University. She is an award-winning teacher with more than a decade of experience teaching Introduction to Theatre, in face-to-face, hybrid and fully online forms. Her chapter, “This is the Dawning of the Age of Aquarius: Reimagining Introduction to Theatre,” co-written with Shelby Lunderman, appears in New Directions in Teaching Theatre Arts, edited by Anne Fliotsos and Gail S. Medford. She wrote Staging the People: Community and Identity in the Federal Theatre Project (2011), co-edited Working in the Wings: New Perspectives on Theatre History and Labor (2015) with Christine Woodworth, and has been published in many journals and edited collections. Her current research delves into the roles performances play in the making and remaking of memory and history over time. She has served as the book review editor for the Journal of Dramatic Theatre and Criticism, is a member of the editorial board for the Journal of American Drama and Theatre, and is the President-Elect of the Mid-America Theatre Conference.

Judith A. Sebesta is an independent researcher, writer and consultant on change leadership and innovation in higher education. She was founding Executive Director for the Institute for Competency-Based Education and served as a policy analyst and Director of Innovation for the Texas Higher Education Coordinating Board. Prior to focusing on the broad landscape of higher education innovation and change, Sebesta was a tenured professor of theatre at 3 public universities, including the University of Arizona and the University of Missouri, and founding chair of the department of theatre and dance at Lamar University. She has published widely on musical theatre, higher education and competency-based education. She currently teaches Introduction to Theatre online for Texas A&M University-Commerce.

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