Studying Rhythm, 4th edition

Published by Pearson (July 14, 2021) © 2019

  • Anne Carothers Hall Wilfrid Laurier University
  • Timothy P. Urban Rutgers University
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Studying Rhythm introduces the basic processes and complexities of musical rhythm. Authors Anne Hall and Timothy Urban help you develop the ability to perform all kinds of rhythmic patterns accurately at sight. This thorough, practical introduction to rhythm offers more than 300 rhythmic studies, each with short preliminary exercises, that are intended to be sung, spoken, and tapped or clapped.

The 4th Edition offers a wealth of new and updated content. Fresh examples from the standard repertory illustrate the main features of each chapter. New material on structured improvisation has been included at the end of each chapter. Additional, single-line studies in the earlier chapters further reinforce basic reading fluency in all common meters and of all common rhythm patterns.

  1. Simple Duple Meter
  2. Simple Triple Meter
  3. Simple Quadruple Meter
  4. Dotted Quarters and Tied Notes in Simple Meter
  5. Compound Duple Meter
  6. Sixteenth Notes in Simple Meter
  7. Dotted Eighths in Simple Meter
  8. Sixteenth Notes in Six-Eight Meter
  9. More Rests and Syncopation in Simple Meter
  10. More Rests and Syncopation in Six-Eight Meter
  11. Nine-Eight and Twelve-Eight Meter
  12. Triplets
  13. Two Against Three
  14. Half-Note Beat (Simple Meter)
  15. Dotted-Half-Note Beat (Compound Meter)
  16. Eighth Note Beat
  17. Dotted Eighth Note Beat (Compound Meter)
  18. Small Subdivisions
  19. Changing Simple Meter
  20. Changing Compound Meter
  21. Changing between Simple and Compound Meter with the Division Constant
  22. Changing between Simple and Compound Meter with the Beat Constant
  23. Three Notes in Two Beats and Two Notes in Three Beats
  24. Four Against Three
  25. Four Notes in Three Beats and Three Notes in Four Beats
  26. Quintuplets and Septuplets
  27. Five-Eight and Five-Four Meter
  28. More Meters with Unequal Beats
  29. Changing Meters with Unequal Beats
  30. More Cross Rhythms
  31. Tempo Modulation

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