Crafting Truth, 1st edition
Published by Pearson (December 21, 2010) © 2011
- Bruce Ballenger
- Hardcover, paperback or looseleaf edition
- Affordable rental option for select titles
Crafting Truth introduces students to the craft of creative nonfiction by showing them models from the best nonfiction writers and offering plentiful exercises to help them more artfully tell true stories.
- Contains plentiful and imaginative exercises. Since student writers improve by doing rather than just knowing, Crafting Truth encourages students to actively apply the guidance they absorb about the craft of writing through numerous writing exercises.
- Makes extensive use of wide and varied excerpts. Unlike conventional anthologies, the book uses brief excerpts to allow students to analyze more published material. This makes it possible to quickly see how Truman Capote, James Baldwin, and Annie Dillard each handle the crafting of scene or dialogue - all within a single study session.
- Provides close studies of relevant parts of larger works. Through carefully selected excerpts,students are taught to do much closer reading than they could do if faced with full-length pieces.Â
- Includes examples of more experimental material. While focusing largely on canonical work in creative nonfiction, Crafting Truth also features experimental forms like the radio essay and the fictional memoir.
- Provides a complete introduction to the form and theory of creative nonfiction.  The introduction covers key aspects of the craft, such as research, reflection, scene, motive, truth-telling, character, tension, and point of view.Â
- Includes a concise anthology of longer selections by contemporary creative nonfiction writers. Understanding that to fully appreciate nonfiction narratives, writers must also study larger works, the anthology in Part 4 provides students with the opportunity to apply the skills they are learning through the excerpts to 7 more complete narratives.Â
Preface xiii
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Introduction 1
The Form and Theory of Creative Nonfiction 1
On Missing the Target 2
The Collapse of the Narrator 3
Telling It Straight 4
Taking the Reflective Turn 6
Building It Scene by Scene 7
Creating Tension 9
Casting a Wide Net 12
Writing With (and Against) Tradition 14
Using Crafting Truth 16
How to Read for Craft 16
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Part 1
The Essayists 21
Introduction to the Personal Essay 21
A Brief History of the Essay 21
Essays as Narratives of Thought 22
New Forms of the Essay 24
1.1 ORDER OUT OF WILD DISORDER
EXC E R P T F RO M E . B. WHITE’ S
The Ring of Time 25
1.2 A FATHER’S FLAWS
EXC E R P T F RO M JA M E S BALDW I N ’ S
Notes of a Native Son 31
1.3 PRICKLY DREAD ON BANYAN STREET
EXC E R P T F RO M J OA N D I D I O N ’ S
Some Dreamers of the Golden Dream 36
1.4 YOU DID NOT CHANGE
EXC E R P T F RO M A L I C E WALKER’ S
Beauty:When the Other Dancer Is the Self 42
1.5 CUTTING IT STRAIGHT
EXC E R P T F ROM SCOT T RU S S E L L S A N D E R S ’ S
The Inheritance of Tools 48
1.6 THE BEGINNING AND END OF A MAN’S LIFE
EXC E R P T F ROM ANDRE DUBUS’ S
Broken Vessels 54
1.7 A GREAT MOMENT OF NEED
EXC E R P T F ROM NA N C Y M A I R S’ S
On Touching by Accident 59
1.8 VAMOOSE TO THE VOMIT CORNER
EXC E R P T F ROM DAV I D S E DA R I S ’ S
The SantaLand Diaries 64
1.9 A SCAFFOLD FOR LANGUAGE
EXC E R P T F ROM ANDER MONSON’S
Outline Toward a Theory of the Mine Versus the
Mind and the Harvard Outline 69
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Part 2
The Memoirists 75
Introduction to Memoir 75
Ethics in the Age of Memoir 76
Is There a Story Worth Telling? 77
2.1 I MADE HIM OUT OF DREAMS
EXC E R P T F ROM TO B I A S WO L F F ’ S
This Boy’s Life 79
2.2 LONG AGO WHEN DOGS COULD TALK
EXC E R P T F RO M N . SCOT T MOMADAY ’ S
The Way to Rainy Mountain 84
2.3 TELLING THE TRUTH ABOUT DREAMS,
VISIONS, AND PRAYERS
EXC E R P T F ROM MAX I N E H O N G K I N G S TO N ’ S
The Woman Warrior 89
2.4 THE ACHE MADE PHYSICAL
EXC E R P T F RO M G R E T E L E H R L I C H ’ S
The Solace of Open Spaces 93
2.5 POWERFUL PRAYERS
EXC E R P T F ROM FRANK MCCOURT ’ S
Angela’s Ashes 97
2.6 SAFE IN THE CENTER
EXC E R P T F ROM MARY C L E A R M A N B L EW ’ S
All But the Waltz 101
2.7 A CORRESPONDENCE WITH THE EARTH
EXCERPT FROM TERRY TEMPEST WILLIAMS’S
Refuge 106
2.8 I COULD BE GOING OUT, SURE
EXC E R P T F ROM DAV E E G G E R S ’ S
A Heartbreaking Work of Staggering Genius 110
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Part 3
The Literary Journalists 115
Introduction to Literary Journalism 115
New and Not New 115
Ethical Dramas 117
Building Blocks of Literary Journalism 118
3.1 THE SMELL OF SWEAT
EXC E R P T F RO M JA M E S AGEE’ S
Let Us Now Praise Famous Men 121
3.2 THE WHEELING OF HAWKS
EXC E R P T F ROM TRUMAN CAPOT E’ S
In Cold Blood 126
3.3 MAILER’S TOWER
EXC E R P T F ROM NORMAN MAILER’ S
The Armies of the Night 132
3.4 TOO FREAKING TRUE!
EXC E R P T F ROM TOM WO L F E’ S
The Electric Kool-Aid Acid Test 136
3.5 A FINE, SOLEMN SWAGGER
EXC E R P T F RO M JANE KRAMER’ S
The Last Cowboy 141
3.6 CLAUSTROPHOBIA
EXC E R P T F RO M E R I K L A R S O N ’ S
The Devil in the White City 146
3.7 A FOOD FOR WHAT AILS YOU
EXC E R P T F RO M J O S E P H M I TCHELL’ S
Old Mr. Flood 152
3.8 A LIGHT TOUCH OF THE LIPS
EXC E R P T F RO M D I A N E ACKERMAN’S
A Natural History of the Senses 157
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Part 4
A Brief Anthology 163
Introduction 163
S T U D E N T E S S A Y
4.1 ANDREA OYARZABAL
Math,Metamorphosis, and Monarchs 164
E S S A Y
4.2 LIA PURPURA
Autopsy Report 170
4.3 SARAH VOWELL
Thanks for the Memorex 176
M E M O I R
4.4 LAUREN SLATER
Lying 182
4.5 JOHN EDGAR WIDEMAN
Brothers and Keepers 195
L I T E R A R Y J O U R N A L I S M
4.6 H. G. BISSINGER
Boobie 206
4.7 SUSAN ORLEAN
The American Man at Age Ten 210
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Appendix: The Literary Landscape of Creative Nonfiction 221
Bibliography 229
Credits 231
Index 233
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